Skip to content
April FredrickSoprano

April Fredrick, Soprano

In Her Own Words

About April Fredrick

Hailed as ‘astonishing and luminous’ (Bachtrack), soprano April Fredrickloves words and stories and the way that they fire composers’ imaginations and the audience’s imagination in turn, connecting us with those who have come before. She is a frequent soloist with orchestras across the UK and a champion of new work on both the concert and opera stage.

She is an Associate Artist with the English Symphony Orchestra and frequent soloist with the Nottingham Harmonic Choir, treasuring with both the deeper connection and level of music-making that frequent collaboration allows. She is also a founding member and core member of Dei Gratia Baroque Ensemble.

She has also appeared on 20 commercial recordings to date with ensembles including BBC National Orchestra of Wales, English Symphony Orchestra, English Chamber Orchestra, Colorado MahlerFest Orchestra, and Riot Ensemble.

April loves introducing the riches of song and opera to new audiences, so if you need promotional or explanatory videos or pre-concert talks, please do ask.

April Fredrick, soprano

Das himmlische Leben

Mahler — Symphony No. 4, finale (‘The Heavenly Life’)

Another piece April performs frequently, here sung with the Colorado MahlerFest Orchestra under Kenneth Woods. She thinks of it as a child’s vision of heaven, full of abundance and freedom after a life of deprivation and danger, when ‘alle für Freuden erwacht’ — all awake for joy.

What Others Say

a beautiful voice, shining and round, celestial on the high notes and rich on the low ones… creamy timbre and velvety strength
MusicWeb International
A glorious variety of tone colours and effortless phrase shaping… her voice possesses a peculiarly lovely if risk-taking combination of clarity, strength and sorrow.
Music and Vision
not the slightest distance can be felt between her and the texts
Gramophone
As Jane Eyre herself, April Fredrick did more than display a perfectly-formed voice, fearless in melisma, bright at the top and reflective in descent; she really did embody Charlotte Brontë’s heroine.
Christopher Morley, Birmingham Post, Jane Eyre
an evening pervaded by her radiant presence… Fredrick entered before the glorious third movement, and she was already in character, her facial expressions following the music as it moved through diverse tempi and moods… Fredrick was sublime.
Kelly Dean Hansen, freelance classical music writer

Come and See

  • 7 November 2026Mozart and Strauss with the Stockport Symphony Orchestra

    Stockport Symphony Orchestra

    Stockport Town Hall, Stockport

    • Mozart L’amerò, sarò costante
    • Strauss Amor
    • Strauss Morgen
    • Strauss Cäcilie
    • Strauss Traum durch die Dämmerung
    • Strauss Befreit

    View venue ↗

  • 14 November 2026Carl Rütti Panta Rhei (world premiere) in Nottingham

    Nottingham Harmonic Choir · Richard Laing (conductor)

    Nottingham Albert Hall, Nottingham

    • Carl Rütti Panta Rhei (world premiere)

    View venue ↗

  • 31 December 2026New Year’s Gala: Sinfonia Viva at TRCH

    Sinfonia Viva

    The Royal Concert Hall, Nottingham

    • Midnight in Paris with Sinfonia Viva

    View venue ↗

  • 27 June 2027Debussy Ariettes Oubliées in Reading

    West Forest Sinfonia · Philip Ellis (conductor)

    Great Hall, Reading University, Reading

    • Debussy Ariettes Oubliées (arr. Dean)

    View venue ↗

  • 28 July 2027Haydn and McDowall for the Three Choirs

    Three Choirs Festival

    Gloucester Cathedral, Gloucester

    • Haydn Nelson Mass
    • Cecilia McDowall Songs of Exile (world premiere)

    View venue ↗

  • Image from JW
    JW · April Fredrick
  • Image from Jane Eyre
    Jane Eyre · April Fredrick
  • Image from Viennese Twist
    Viennese Twist · April Fredrick
  • Image from Visions of Childhood
    Visions of Childhood · Photo: Mark Bobb
  • April Fredrick Headshot 1 - Mark Bobb
    April Fredrick · Photo: Mark Bobb